ABA’s Adaptive Dance program is designated for children with Down Syndrome, Autism, physical, mental, emotional challenges, and those who are wheelchair-bound.
Two of our permanent faculty attended the Boston Ballet’s Adapted Ballet Seminar in 2017 and have developed ABA's curriculum combining movement drawn from ballet, character, modern, music and theatre. ABA’s core belief is that expressing your inner thoughts, your dreams, your passion with movement is a driving force that everyone should experience. The freedom to believe in yourself, move without judgement, create, and imagine where there is no right, or wrong way to move.
The Academy of Ballet Arts is wheelchair accessible, and the classes are open to all types of abilities and challenges. After registration is completed, the student is evaluated in the placement class as to physical and emotional needs. Then, in collaboration with the parents, the staff makes an educational plan for the student. Students are mainstreamed into the regular curriculum when they have demonstrated a basic technical level and the confidence to work more independently.
Adaptive Ballet Classes will begin on Monday, September 9, 2024
Classes
Adaptive Ballet I:
Class will begin when enrollment reaches 6 students. This class is designed for children with Down Syndrome, and children on the autistic spectrum from the ages of 6-10. The class curriculum includes using ballet steps to improve balance, coordination, expressive arms, jumping, shift of weight, creating shapes in space, interpreting emotions through movement and learning to tell stories using movement vocabulary. The students will also learn character steps and dances. Girls should wear leotards (any color or style), tights and ballet slippers. Boys should wear a t-shirt, shorts, socks and black or white ballet slippers. Mondays 3:30-4:15 PM(arrival time 3:15)
Adaptive Ballet II:
Class will begin when enrollment reaches 6 students. This class is designed for children on the autistic spectrum and children with Down Syndrome from the ages of 10-14. The class is focused on balance, coordination, creating shapes in space, interpreting words and stories with movement instead of using their voices. The students will be learning ballet steps, character steps and improving reactions to stress through dancing out the emotions. Girls should wear leotards (any color or style), tights and ballet slippers. Boys should wear a t-shirt, shorts, socks and black or white ballet slippers. Mondays 4:30-5:15 PM (arrival time 4:15)
More About Our Adaptive Ballet Program
My passion for the language of movement and the voice it gives to an individual to express their own thoughts, perspectives and beliefs is what has always given me the ability to envision the dance potential of each person. I founded the Academy of Ballet Arts in 1969 with the idea that if someone wanted to dance then I needed to make it possible for them to dance without regard to the potential of their bodies to adapt to Classical Ballet. I believe very deeply that the only person who can limit our ability to learn is ourselves.
Over the years that the Academy has included special needs students in its regular curriculum and the students have all benefited from the interaction. Everyone developed the ability to see past the things that students struggled with, whether it was physical, intellectual or emotional. Teachable moments occurred in every class and as the students observed other’s struggles, they learned to face their own challenges with persistence and humor. The student’s and teacher’s positive and nurturing attitudes towards the integration of the students have begun to alter the parents’ views of competition and the speedy acquisition of skills.
My commitment is to the beauty of the arts, how it shapes who we are from the inside out and my belief that everyone needs to experience the arts in their daily lives. Every light that comes into the face of a student when they hear music that speaks to their souls and every smile that is reflected in their bodies when they speak the language of dance in their own words becomes my incentive to create a program that exists beyond my school.
In 2018, the Florida Cultural Arts Division awarded the Academy of Ballet Arts a Diversity and Inclusion Award. The stories associated with the Academy’s Adaptive Ballet Program were chosen to be highlighted in the Cultural Arts Division anniversary tribute to the state of the Arts in Florida.
Suzanne Pomerantzeff,
Founder and Artistic Director
Kaitlyn’s Story
Music speaks to each of us from a source deep within our hearts and moving to music is the first instinct that a newborn responds to with their bodies. What happens when there is a broken connection from the brain to the legs, the arms, the hands, the eyes, the ears or even the voice? Movement still happens in the mind’s eye and that movement is called “dancing”.
Kaitlyn was born a very healthy, inquisitive baby, but at the age of six a disease called polymyositis attacked her body and slowly her muscles became stiff and useless. She could no longer breathe on her own, received food through a feeding tube. At eight she could only whisper, move her eyes and one finger which she used to move her electric wheelchair. Inside of her was an intelligent, funny, full of dreams nine-year-old, who wanted what other little girls wanted…to run, to sing, to dance, to be.
Kaitlyn was introduced to me at a performance my students were doing for a group of Senior Citizen’s at an assisted living facility. She was accompanied by her teacher and parents. She sat in her slanted wheelchair, breathing through her ventilator. She had a little whisper of a voice, expressive huge brown eyes, and a beautiful smile. Her attention was riveted on the dancers in front of her, but unlike most children she wasn’t moving in time to the music. After the show, she whispered to me that she loved the music, and she loved dancing…and so began a beautiful journey of discovery for me as a ballet teacher and Kaitlyn as a ballet student.
Kaitlyn was an honor student at Tyrone Elementary and Mrs. Kim Penman was her teacher. Kaitlyn began dance classes at the Academy in our Summer Intensive. Her schoolteacher’s children Ashley and Tommy were students of mine and Kaitlyn joined their class.
ABA’s Summer Intensive’s have a cultural or ethnic theme. That summer, the theme was First American Culture, and the arts and crafts, choreography and history lessons were integrated with the Legend of the Blue Bonnet. The students in the Intensive learned to read Kaitlyn’s lips because she was losing her voice. They helped her paint the sets with a paintbrush held in her mouth…they laughed…they shared a magical two weeks, and they all became friends. Over the next four years they had American Girl tea parties together, they had sleepovers, they auditioned for Nutcracker together, they rehearsed and performed together. Kaitlyn was fully integrated into ballet class and my imagination and creativity grew exponentially. If I forgot to alter the ballet combination for her, she would remind me with a grin, “What about me?” When she performed in Nutcracker, a PCCA tech student a wooden frame for her wheelchair that made it look like an old-fashioned sleigh.
Kaitlyn passed away four months before her 11th birthday, but her legacy to ABA, her teachers, her friends, and all those who encountered her was life changing. ABA’s commitment to including all disabilities and abilities in the curriculum is deeply entrenched in how artistic moments add to the health of every individual.
Marla's Story
Marla, is an example of the Academy's integration of special needs students into our curriculum and performances. Marla has Cerebral Palsy and was unable to put her heels down due to severe spasticity in her calf and Achilles tendons. She later had Achilles tendon lengthening surgery. The self-reliance taught as a part of the Academy's curriculum helped Marla take class in a very self-determined way and she continued to increase her coordination and self-confidence.
Emerson's Story
Emerson, is on the autistic spectrum and has Asperger's syndrome. She began classes as a seven-year-old. The self-discipline, structure, music and artistic challenges of dance helped Emerson to learn to control her "melt-downs" by herself. She developed real friendships among her classmates, learned to communicate her feelings and set artistic goals. She advanced to pointe class and performed in Nutcracker from the age of 8 until she turned 18. She has been accepted to the Savannah School of Art as a voice-over and a costume design major.
Arianna’s Story
Arianna's story is told in this photo collage from a PowerPoint Presentation.
Complete Class Schedule